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Tag Archives: pop music

If Karen Carpenter Lived in the #MeToo Age

28 Wednesday Nov 2018

Posted by Paul Kiser in Gender Issues, Health, Honor, Life, Mental Health, Public Image, Relationships, Women

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Tags

1970s, Karen Carpenter, pop music, Richard Carpenter, singer, The Carpenters

Karen Carpenter:  Public Stage Versus Private Reality

In her public life, Karen Anne Carpenter was a legend in pop music. Her rich vocal tones were unique and inspiring. She was Shakespearean in her ability to give deep meaning to the words she sang. To this day, her songs define the expanse of love, from soaring joy to the depths of pain and anguish. 

In her private life, Karen Anne Carpenter was a mental maelstrom of emotions that led to a self-destructive path resulting in her death just weeks before her 33rd birthday. In an age that believed that women are frail creatures, it was easy to blame Karen Carpenter for her own problems.

However, since her death in 1983, a growing awareness of the causes of mental and emotional stress might suggest hidden issues of abuse that could explain Karen Carpenter’s behavior. In the 21st century, any other woman afficted with Karen Carpenter’s symptoms might indicate a trauma in her personal life. To be clear, I am not suggesting that Karen Carpenter was emotionally or sexually abused. There is no evidence or testimony to suggest abuse. What I am suggesting is that many of her symptoms and behaviors might be cause for further investigation of possible abuse.

The ‘Good’ Family Version

In multiple retrospectives and biographies of the famous singing duo, Karen Carpenter was identified to have several flaws. Among them were:

  • She was never happy coming out from behind the drums and becoming the focus of attention.
  • She couldn’t handle the pressure of fame.
  • She was desperate for the affection of her mother.
  • She saw herself as a failure and/or inadequate.

The Carpenter family blocked efforts of biographers to learn or tell any account of her life that would be seen as negative to the family. In the 1989 movie, The Karen Carpenter Story, her brother, Richard, had close oversight on the production and demanded that scenes be rewritten to avoid possible embarrassment.

Her Symptoms and Environment

Of what has been revealed about Karen Carpenter’s personal life we know the following:

  • She had low self-esteem
  • Her life was mostly devoid of romantic relationships
  • She felt a strong sibling rivalry for her Mother’s affection
  • She was three and a half years younger than her brother, Richard
  • Karen engaged in self-destructive behavior
  • She seemed to be subservient to her brother’s wishes
  • Despite her brother being in primary control of music and business management, Richard was not the star of the act
  • In her songs, she portrayed a deep connection to the emotions of a relationship despite having little or no experience of love in her life

In the #MeToo age, many of these symptoms would be reflective of a person who has experienced some type of emotional and/or sexual related trauma. Again, there is no evidence that Karen Carpenter was a victim of emotional/sexual trauma; however, many of these behaviors are noted by victim-support groups as warning signs.

Victim Behaviors and Responses to Sexual Abuse

Abuse of a victim can occur in many forms, but usually involves a power and/or control aspect of the abuser over the victim. One type of sexual abuse is incest and a victim may manifest several types of dysfunctional reactions to the abuse.  In an article published in Counseling Today, David M. Lawson states: 

…incest is associated with secrecy, betrayal, powerlessness, guilt, conflicted loyalty, fear of reprisal and self-blame/shame. It is of little surprise then that only 30 percent of incest cases are reported by survivors.

He also maps out three types of possible ‘disturbances’ to incest victims:

  • Disturbances in emotions: Affect dysregulation, heightened emotional reactivity, violent outbursts, impulsive and reckless behavior, and dissociation.
  • Disturbances in self: Defeated/diminished self, marked by feeling diminished, defeated and worthless and having feelings of shame, guilt or despair (extends despair).
  • Disturbances in relationships: Interpersonal problems marked by difficulties in feeling close to others and having little interest in relationships or social engagement more generally. There may be occasional relationships, but the person has great difficulty maintaining them.

In some cases of sibling incest, parents may lay blame on the victim rather than consider the abuser responsible. Dr. Richard P. Kluft also suggests a tragic response to incestual abuse:

The victim becomes accustomed to linking mistreatment with a perverse form of caring.

Was Karen Carpenter Sexually Abused?

There is no evidence that Karen Carpenter was sexually abused. There is reason to stop accepting that she was simply a person with severe personality flaws that led to her tragic death. If the #MeToo movement is to move forward, we can no longer ignore dysfunctional mental and emotional behavior in women as their failure, nor can we accept the male interpretation of a woman’s behavior as fact.

Katy Perry’s ‘Chained To The Rhythm’ Liberates Pop

10 Monday Apr 2017

Posted by Paul Kiser in Aging, Branding, Business, Communication, Generational, History, Politics, Pride, Public Image, Public Relations, Women

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2017, album, cd, Chained by the Rhythm, Katy Hudson, katy perry, Music, Pop Artist, pop hits, pop music, Pop star, singer, song, Songwriter

Katy Perry: Rhythm Unchained

A successful pop song needs two critical elements. First, it has to ear appeal to the current audience. This is a standard that evolves over time as pop music tends to find a formula that is addicting, then thousands of wanna-be stars pile on their version of the style, and boredom ensues.

The best pop stars manage to experiment just enough to create a new, fresh sound, without leaving the bounds of the genre. Katy Perry, Lady Gaga, and Shakira have been consistent leaders evolving pop music in the last ten years. This is not to say that other artists haven’t helped to evolve pop music, but these three artists have been the 100-pound royalty in the recording studio.

The second element is lyrics that engage the human brain. Some singers tend to copy the current style of pop music, then tell us about their latest break-up, but that appeals to those who have precious few brain cells to engage. Katy Perry, Gaga, and Shakira typically go beyond the obvious, and trigger thoughts and ideas that touch, rather than tell.

In the past decade years Katy Perry has produced I Kissed A Girl (2008,) Hot N Cold (2008,) Last Friday Night (2010,) Teenage Dream (2010,) E.T. (2010,) California Gurls (2010,) Firework (2010,) Part of Me (2012,) Wide Awake (2012,) Birthday (2013,) Roar (2013,) This Is How We Do (2013,) Dark Horse (2013,) among her top hits. This would be a lifetime of work for most artists, yet she continues to push her status as one of the monarchs of music.

Katy Perry’s latest release, Chained To The Rhythm (2017,) from her upcoming album/CD, is more than just another mega-hit for her. From start to finish this song is a statement about the dark side of the American Dream, and about the unreasonable expectations created in a world where status is equated with human worth, yet this is not a song or video that portrays a downcast view of our current society. Instead, it is an upbeat, happy song that masks the underlining message just enough to engage the audience into the music. It isn’t until the end of the video that a person realizes the full impact of the content of the song.

This mastery of creating music with the key elements of a great pop song, and then weaving in a serious social message, without detracting from the entertainment value, is rarely achieved in the restrained environment of pop music. It keeps Katy Perry relevant as a master of pop music, and as a human being.

Lady Gaga’s ARTPOP Release a Full Frontal Lesson in Pop Music Y2K+13

20 Wednesday Nov 2013

Posted by Paul Kiser in Public Relations, Social Media Relations, Technology, Women

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Applause, ARTPOP, Donatella, Lady Gaga, Music, pop music, popular music

Lady Gaga is the artist that some love to hate, still it’s hard not to be in awe of Lady Gaga’s success. If you want a textbook case of how to create anticipation over an artist’s work, then study Lady Gaga’s newest musical release, ARTPOP. Sans costumes and masks, Lady G demonstrates why she is the reigning queen of popular music even without the flash.

ARTPOP by Lady Gaga

Lady Gaga’s newest ‘album’ ARTPOP 

Delivery of Product
It’s important to have a historical perspective of the journey of an artist’s music from the recording studio to the listener’s ear. When ARTPOP was released last week, millions accessed the ‘album’ without buying a vinyl disc, recorded magnetic tape, cd, nor any tangible media. This is old news, but much of the music industry still fails to accept that the world has changed. Today, music goes from recording studio to the listener in the time it Sarah Palin to say something stupid, yet the music industry is still trying to figure out how to keep old revenue streams (e.g.; CD sales) going despite the new reality.

Quality of Work
While there are rare examples of a great album coming together in a matter of months, most quality music takes time, focus, and dedication. Lady Gaga started work on ARTPOP in 2011 and spent much of 2012 and some of 2013 molding it into a final product. It is said that William Shakespeare did not waste a word in crafting a play. Each line is intended to have meaning and purpose. Such are the songs of ARTPOP.

Art work from ARTPOP

Art work from ARTPOP

How many songs in the ARTPOP collection will be in the Top 10 on the charts is unknown; however, it is clear that each song is crafted for its poetry, musicality, and/or statement on life, sex, and fame. The songs are blatant expressions from the Lady Gaga point of view. This is not music for pre-teens. It is heavily laced with sexuality and statements of passion. She also takes a slaps the fashion industry with Donatella and Fashion! 

ARTPOP is the exclamation point in the pop music industry. Lady Gage uses all aspects of technology and media in conceiving, nurturing, and delivering her artistic creations to the listener. She reaches out to her public, but is not a slave to them. She gives the audience what it wants, and then gives them more. I believe she is sincere singing, “I live for the applause.” (Applause) and just as sincere when she sings, “U can’t have my heart and u won’t use my mind’ (Do What U Want featuring R Kelly.)

ARTPOP is pop music Y2K+13 and Lady Gaga is writing the book on how it’s done.

(NOTE:  This review was not solicited nor was any form of compensation offered in exchange for the views expressed.)

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